Posts Tagged ‘Flying Lessons: How to Be the Pilot of Your Own Life’

Who is Piloting You Now?

Tuesday, June 23rd, 2015

flyLast night I presented on the Flying Lessons system for navigating challenges, discussing this with a women’s consultants group in Tucson. As usual these days, we began our discussion by agreeing that these are complex and turbulent times, and that we’re piloting into uncharted territory. This makes the Flying Lessons principles all the more compelling, I think!

As serendipity would have it, I had been thumbing through one of my favorite resources, Love Poems from God, full of offerings from ancient mystics. I discovered that somehow I had forgotten about Kabir, a 15th century east Indian poet, religious reformer, artist and musician–as well as (translator/editor, Daniel Ladinsky reminded me) humorist.

Ladinisky points out that many sacred texts–including the Bible–were heavily edited. His goal in this book is to “un-edit” some poetry that is (in the case of Teresa of Avila, for example) sometimes bawdy, down to earth, and therefore practical spirituality. For then, I suspect, and certainly for now.

And wouldn’t you know that one of Kabir’s poems seemed to fit exactly the issue of piloting into uncharted territory without either crashing, falling asleep at the controls, or getting very lost.

You are sitting in a wagon being

drawn by a horse whose

reins you

hold.

Thee are two inside of you

who can steer.

Though most never hand the reins to Me

so they go from place to place the

best they can, though

rarely happy.

And rarely does their whole body laugh

feeling God’s poke

in the

ribs.

If you feel tired, dear,

my shoulder is soft.

I’d be glad to

steer a

while.

Reminds me of Flying Lesson #3, Take the Pilot’s Seat. The questions around this lesson include, “Assuming you are in the pilot’s seat, which part of you is in charge? The Big you, or the little one, the scared one?”

These are times that call for the biggest pilot we can summon, so I say we need all the help we can get. The “your pilot is God” image gets a little tricky, but it is true that our job now is to call on and embody all that is divine within us. Old strategies, old power structures, old flight plans…just aren’t working now.

So let’s take Kabir’s 600-year-old bet. What would happen if we decided to “Give Way to the Winds’ (lesson #7) and surrender the old fear-based tactics? When we hand over the reins, I’ll bet we’ll get there. Just maybe not in the way that old ego expected.

Re-defining Power

Monday, November 19th, 2012

flower power

What is your relationship to power?

Last time I sat in sacred circle with my Advanced Flying Lessons group, I marveled at the experience we had when we asked the spirits of the universe to help us step into authentic power.

World events continue to teach us all–regardless of political persuasion– about some types of power we just can’t afford any more. For instance, exerting power to manipulate or force or restrict another unjustly is an old form that just doesn’t work well any more. Being conscious of what we don’t want to do opens a space for us to re-define power.

Our group agreed that the old forms of power in the outer world are mostly based on fear. And we all were ready to let go of those in favor of the kind of inner power that is sourced in love, truth and joy.

And so, we journeyed together and experienced the natural power that resides in us all. Like a seed, this power that is borne within us can grow and flower and create new life. It can produce fruit and blossoms that nourish others. It can heal old wounds. It can change the world. It can fuel lives that are more meaningful than any generation’s lives have been.

This is the moment, and we are the ones.

And so, we want to nourish this seed within us. What will be our fuel? What is the premium fuel that works for you? Flying Lesson #2–Bring Enough Fuel for the Journey–is all about this exploration.

I invite you to put your hand over your second chakra on your abdomen. Imagine a seed of power there that is alive, dynamic and growing already. When you contact the life force, the power of love and purpose within you, you bring it alive. It wants to be seen. Feel the energy of it–that is a way of “seeing” it. Whenever you do this, it becomes more visible and practical in your life.

If you can trust that you already have all the power you need within you, and if you can trust that your power is not only sufficient but good, then you can let go of fear.

“Allelulia!” as one participant in our group said. Time for Thanksgiving.

May you feel the gratitude and power within you at this holiday time.

with Love and Light,

Pam

Creating Beauty as a Safe Landing Space

Tuesday, October 9th, 2012

It’s so easy and delicious for me to sink onto a place of beauty in nature and feel safe in that “All Is One” feeling. Next to ocean, or stream, or wind through the pines I am reminded of the life force that courses through all things. I am in my safe landing space at those times.

And then we know there are other moments. Moments that suck. Moments that are almost intolerable. Moments when we don’t want to be here. Moments when we feel like life must be against us. These moments do not feel like safe landing spaces.

So what to do? Especially since those ‘other moments” are when we need a safe landing space the very most.

Well, I say we create beauty. We must.

I love to talk about Victor Frankl, because he is the most extreme example I can come up with of a human who could create beauty out of the most meager ingredients. A concentration camp survivor whose whole family was exterminated, he credited his survival to his decision to find meaning in every day.

If he could do that in those circumstances, surely I can do it in mine.

But how, in those moments of despair, frustration, fear, or anger do we create beauty? There is a lot of ugliness in the world, after all.

I think it’s a choice. About how to see.  Without being a Polyanna, without denying, we can choose to see beauty.

I can choose to find the beauty in an ordinary task like peeling a vegetable that God made, or even cleaning a toilet I’m lucky to have. I can choose to find beauty in weeding a garden where I’m making room for new life. I can choose to seek out the beauty that accompanies some of the worst tragedies, where in the midst of great loss there is some moment of exquisite love. I can choose to not be blind, but just to see “through a different lens.”

Maybe this is part of our work on earth. At least it makes our journey here more lovely.

Do it for you. Create beauty just to make your day better.

Do it for someone else. See if that doesn’t make your day better too.

See if when you create beauty, it doesn’t make you feel safe somehow. Safe in the fact that you are a creator. Safe in the fact that there is beauty in the first place. Safe in the fact that creating beauty is a well-worn path. A sacred one. One which has eternity in it.

Ah, now you have landed. In a beautiful place. On solid ground.

Choosing Oxytocin

Tuesday, July 10th, 2012

Last weekend I surprised myself by getting scared on a routine flight with my husband in our Cessna 182. He had purchased a new gadget to increase our safety and he needed to test it. That meant I would be the co-pilot and observer, looking for traffic while he did some maneuvers.

Truthfully, I didn’t want to go in the first place. I knew when I asked him what maneuvers he’d be doing.

“Just some stalls,” he answered.

Stalls.  The S-word.  Especially accelerated stalls, my nemesis.

To practice a stall, you fly along and raise the nose higher and higher, ignoring the stall horn, which sounds when you’re about to force the airplane to stop flying. You keep raising the nose and then you can feel it fall, feel the airplane stop having lift. It’s not very comfortable.

Accelerated stalls are more uncomfortable than power-off stalls, because you’re going faster and the plane’s reaction is faster and more intense. My terror in flight training was not recovering fast enough and entering a spin.

Now, I trust my husband Jon as a pilot with every fiber of my being. An ex-Marine F-4 pilot who flew over 230 missions, he is fully capable of all these maneuvers, probably with his eyes closed.

But. It’s been 11 years since I had to do these stalls myself, and never have I had to sit in the right seat and be the passenger while he does them. So I didn’t like it. My stomach was rising to my throat and I felt light-headed and sensed a big lump forming in my throat.

“I’m not doing well,” I said. An understatement.

“It’s just a stall. Just breathe and get into it. You’ve done these a hundred times.”

“Not as a passenger,” I retorted, probably a little too sharply. He must have looked at my face, which had no blood in it, because he stopped.

There was no talking me out of it, because the fear reaction had already cascaded through my body. Adrenalin. Tension. No resuming a confident air at this point.

I tried my litany of techniques. “I’m just feeling fear,” I told myself silently. “I am not fear; I just have fear right now. I am the witness, the one observing myself having fear.” I shooed the fear energy away, asked it to return to earth.

My body didn’t buy this at all. It wanted to go home and take a nap. It wanted relaxation. It wanted oxytocin.

Oxytocin is the chemical we love to feel when we orgasm, or when we feel any other kind of intense pleasure. We can invite oxytocin instead of adrenaline by doing what Ellie Drake of Braveheart Women calls an “oxytocin breath.”

Right now, take in a big breath and feel it all the way down into your abdomen, which should rise. Now as you let it out, sigh your exhale out loud. Feel your body “let down,” releasing tension.

This is an important notion for me as a two-time cancer survivor. I believe the story Anita Moorjani tells in her book, Dying to Be Me. Her wondrous healing from a near-death experience taught her that fear not only stops us from performing; it can cause cancer. Or at least create the environment that allows cancer.

My advanced flying lesson was probably related to what I wrote about in Lesson #7, “Give Way to the Winds.” To recover from a stall in an airplane, you do what is counter-intuitive: you release pressure on the controls, even though your impulse is to keep pulling back, since you want badly to go UP.

To recover from a stall in life, you do the same. You release pressure.

I had to risk disappointing my husband, appearing to be  wimp, or suggesting to my critical self that I no longer had any piloting skills. I chose oxytocin.

“If we’ve done enough maneuvers,” I said to Jon, I’d like to go back now.” As I breathed my oxytocin breaths and took care of the “little Pam within,” the one who had regressed to the pressure of flight training a dozen years ago, Jon suggested I cure my ills by flying us home.

Dear Jon.  Getting back on the horse is a man’s method. That would produce more adrenalin. I choose to give way to the winds. I choose oxytocin. I need the feminine way. And so, I believe, does the world.

It doesn’t mean I won’t go flying again, or that I won’t ever be the observer when he does a stall. It just means I choose to allow my body to recover now, instead of pushing.

By the way, he’s forgiven me. It took me almost an hour to return to a relaxed happy state, and I think I was a lot nicer after that.

(Want more “flying lessons?” Order the book at FlyingLessonsForLife.com)

What motivates the creative artist?

Friday, June 22nd, 2012

I’ve been away from blogging for awhile, and I’m aware that it’s partly because I suspected I might just be whistling in the wind. Even though I get some nice comments from people, I don’t have a great deal of evidence that a lot of people read my blog.

Which brings up the question, what does a creative endeavor mean if no one is receiving it?  Or another way to put it is, what does a creative endeavor mean to the artist if there is no evident feedback? This has been a dilemma for artists of all media for millenia.

I’m really not complaining, because my ego got stroked big time recently when my book, Flying Lessons: How to Be the Pilot of Your Own Life, received a gold medal IPPY (Independent and small press publishers) award in the self-help category. I have to say, that felt really good! And, many readers are telling me how much the book means to them, and even buying copies for friends and family.

In reflecting on the boost this award and reader responses have given me, I’m wondering what role outer feedback plays in our success. I’m musing now on flying lesson #5, Communicate with the Controllers. In this case, the controllers would be the audience, or buyers or critics who give the artist feedback on the “worth” of her creation.

Should those opinions define us and be the bottom line measurement of our creative ability? I sure hope not, since there are books on the best seller list at this moment whose literary value I would question, for sure. And, there are some fabulous songs out there that aren’t being played on the radio.

But we can’t honestly discount feedback, either. Even when we’ve evolved beyond acting out of ego into a desire to serve, the audience counts. What “controls” the creative artist is a mix of his inner drive and desires and the way in which the world receives his offerings.

It’s the same, I suspect, whether we are mothering, making lattes or selling large scale paintings in a gallery. The motivation comes from inside. And, if the creative person is not “seen” by others, it’s easy for the spirit behind the work to wane.

Hopefully, these two forces work together. The woman I can’t forget, who used to work at the Starbuck’s in my local market, is someone who added to my life. Her smile, her humor, her energy came from a place within her that clearly desires to connect and enrich others’ lives. That spirit motivated me, of course, to buy more drinks from her and to emulate her way of being with others. A win/win.

And so, armed with my gold medal and nourished by that positive feedback, I’m back to blogging. I look forward to trying to serve you some nourishment that will quench your spiritual thirst, make you think, urge you to smile, perhaps bring a tear to your eye, and bring out that spirit within you that longs to create and connect.